Hacking Reality

Digital activities  changing the political conditions of the theater have been made ​​visible in recent months repeatedly. A prominent example isthe protest at the Vienna Burgtheater by the Ticket Controlleur Christian Diaz. What is the role of digital activity in such public actions? Doesit radiate back into the concrete space of the physical action?  And how do digital activists use the possibilities of the theatre in their hackingof public space? How does one “hack reality”?